张昌平,汉族。1973年生于江苏连云港灌南县,自幼酷爱书法。结业于中国民族建筑研究会书画艺术专业委员会的书法高级研修班。现为:国家级文化艺术人才并入库,中国东夷书画研究院院士,中国书画家协会会员,中国名人书画艺术界委员,北京门头沟市书法家协会会员,中国教育电视台《水墨丹青栏目组》水墨丹青书画院会员。聘请为中国书画艺术教育学会苏州市分会长、清影书院苏州第一分院长,清影书院高级研究员。书法等级注册教师、考官等。作品多次荣获全国性大奖,被海内外收藏。
Zhang
Changping, Han nationality. Born in guannan county, Lianyungang,
Jiangsu in 1973, he loved calligraphy since childhood. Graduated from
the calligraphy advanced training class of national architecture
institute of china Painting and Calligraphy Art Professional Committee.
At present, he is a national-level cultural and artistic talent who has
been put into storage, an academician of China Dongyi Painting and
Calligraphy Research Institute, a member of China Calligraphers
Association, a member of Chinese celebrity painting and calligraphy art
circles, a member of Beijing Mentougou Calligraphers Association, and a
member of Ink Painting and Calligraphy Institute of China Education
Television. He is the president of Suzhou Branch of Chinese Painting and
Calligraphy Art Education Society, the first president of Suzhou Branch
of Qingying College, and a senior researcher of Qingying College.
Registered calligraphy teachers and examiners, etc. His works have won
many national awards and been collected at home and abroad.
张昌平作品
Zhang Changping’s works
作品及个人收录入2016～2019年完成的中国名人书画年鉴。作品荣获“特等奖”收录入中国当代文艺名家名作年鉴(2018年卷)发行中国一带一路珍藏邮册。作品及个人艺术成就入编香港《苏富比画报》(中国艺术专刊)。2018年9月被各大媒体评为《人民艺术进万家》新闻人物。荣获“华夏品牌名家榜”—五星艺术名家。建国70周年,特邀制作,大国艺术
国礼毛瓷发行一府两院,中国古建筑学会刊登推广。中国报道特聘书画家。民族魂,中国梦大型纪实文献。入编在中国名家作品收藏与鉴赏。纪念建国70周年记录新时代艺术名家,各视频网站播出。作品在韩国双年展展出。2O20年刊登出版中国书画收藏指南。作品在新加坡拍卖会进行拍卖(收录在雅昌网)。
His
works and individuals are included in the Chinese celebrity calligraphy
and painting yearbook completed from 2016 to 2019. The works won the
"Grand Prize" and were included in the Yearbook of Famous Works of
Contemporary Chinese Literature and Art (Volume 2018), and distributed
in China the belt and road initiative Collection Mail Book. His works
and personal artistic achievements were included in Sotheby’s Pictorial
(special issue of Chinese art) in Hong Kong. In September, 2018, he was
rated as the news figure of "People’s Art Enters Thousands of
Households" by major media. Won the "Chinese Famous Brand List"-Five
Star Famous Artists. On the 70th anniversary of the founding of the
People’s Republic of China, it was specially produced, and the national
gift porcelain of great powers was distributed in one house and two
houses, and published and promoted by the Chinese Ancient Architecture
Society. Distinguished painters and painters in China. National Soul,
Large Documentary Literature of Chinese Dream. Collection and
appreciation of famous works in China. To commemorate the 70th
anniversary of the founding of the People’s Republic of China, record
the famous artists in the new era and broadcast them on various video
websites. His works were exhibited at the Korea Biennale. In 2O20 years,
he published a guide to the collection of Chinese paintings and
calligraphy. The works are auctioned in Singapore auction (included in
Yachang.com).
张昌平作品
Zhang Changping’s works
笔法有道求新变
墨韵畅神独逍遥——记著名书法家张昌平书法的高峰在晋,以二王书法的笔法潇洒为核心。书法的高峰也在唐,以颜柳欧的楷书法度为严谨。当然宋元两朝书法求取墨韵的技巧酝酿,让书法在”笔墨"两个层面形成了全面的文人境界高度。著名书法家张昌平先生,修练书法,尽求笔墨真功,笔法取二王,用墨追风宋韵,然后以唐法为法度核心支撑,形成了笔墨两成,不偏不倚的书法全能体系,诸书皆成,犹善行草!他的书法,极其关注线条的艺术意象生成。从入笔到行笔,再到收笔,对笔锋与笔肚、笔根的控制力和承转力都相当精准。用锋尖注墨,不偏不倚,墨生中线,透光可识中线墨劲圆厚,这就是中锋行笔的显著证件。练习书法,笔法的核心技能无非就是中锋行笔这四字要诀,但是能真正掌握这一要诀在实践层面上的自如娴熟,却非常不容易,有些书法修炼者穷其一生,末必功成。张昌平书法能修成中锋行笔的根本要宗,显然是功力达到,修炼入境界的收获。
There
is a way to seek novelty in brushwork, and change Mo Yun’s mind. The
peak of calligraphy of Zhang Changping, a famous calligrapher, is in Jin
Dynasty, with the natural brushwork of Erwang’s calligraphy as the
core. The peak of calligraphy is also in Tang Dynasty, and Yan Liuou’s
regular script is regarded as rigorous. Of course, the skill of seeking
Mo Yun in calligraphy in Song and Yuan Dynasties made calligraphy form a
comprehensive literati realm at the two levels of "pen and ink". Mr.
Zhang Changping, a famous calligrapher, practiced calligraphy, striving
for the true merits of pen and ink. He took two kings in his brushwork,
followed the wind and rhyme with ink, and then took Tang method as the
core support of testimonies, forming an impartial calligraphy all-round
system with 20% pen and ink. All the books were completed, and he was
still good at doing grass! His calligraphy pays great attention to the
generation of artistic images of lines. From entering the pen, moving
the pen, and then closing the pen, the control and bearing force of the
pen tip, belly and root are quite accurate. Inputting ink with the tip
of the front, being impartial, creating the midline with ink, and making
the midline ink strong and round can be recognized through light
transmission, which is the remarkable certificate of the center’s
stroke. The core skill of practicing calligraphy and brushwork is
nothing more than the key word "center stroke". However, it is very
difficult to master this key freely and skillfully in practice. Some
calligraphy practitioners spend their whole lives and will succeed in
the end. Zhang Changping’s calligraphy can be cultivated into the basic
religion of the center’s pen, which is obviously the harvest of
achieving skills and practicing into the realm.
张昌平作品
Zhang Changping’s works
书法到达中锋行笔不偏不倚的境界之后,书法线条的劲感、动感、空间感在他的操纵下,就显的驾熟就轻,毫无惧笔怕墨的拘束结节,挥纵自如,收结潇洒。执笔侧入中行。笔锋的转承恰如楫击流水,波动凌微,然后或顺风而畅,或逆向聚劲,在笔法的快与慢,长与短,粗与细的变化中,依合自然的生命节奏,酝酿线条的生命质感:流动中的力量抒发,是他书法富有生命动感的独特风范,有劲,有力,富有变化,让他的书法在当代书坛体现着食古而化,功在传承与创新的导向路径。
After
reaching the impartial state of calligraphy center, the sense of
strength, movement and space of calligraphy lines became obvious under
his control, and he was not afraid of the constraint nodules of pen and
ink, and he swung freely and closed the knot smartly. Writing side into
the bank. The transfer of the brush style is just like hitting the
flowing water, fluctuating slightly, and then being smooth with the wind
or gathering strength in the reverse direction. In the fast and slow,
long and short, coarse and fine changes of the brush style, according to
the natural life rhythm, the life texture of the brewing line is
brewed. The expression of the flowing power is the unique style of his
calligraphy full of life and dynamic, which is vigorous, powerful and
full of changes, which makes his calligraphy embody in the contemporary
book circle.
张昌平作品
Zhang Changping’s works
从用墨的角度来看,张昌平先生把当代书坛不注意墨韵体验的书法流弊进行了修复。不管别人如何,他对自己书法的墨感塑造相当用心,也显示了不同寻常的神韵表现。在他的书法作品中,无论行书还是草书,对墨的气脉追求都是非常明显的。以焦浓为根本,是笔法劲健的主体配合,焦显雄劲,黑显明纯,厚重沉着,尽在墨焦。如果不精益于墨法,一般不会有这种施大墨而显卓劲苍茫的意象,通常多有用墨成呆的失败。浓墨宰相是刘庸,焦墨方家张昌平,他的书法用墨既有文人手法的动逸,也有壮士抒怀的大度,焦浓映飞白,雄逸双全!笔法有道求新变,墨韵畅神独逍遥。他的书法不但是笔墨的精彩,也是结体的多姿,欹正险奇,在重心稳重的前提下,做极有动感的伸张伏缩,立竿撑悬寺,字字欲惊心,大小兼卧,开张自如,伸缩得体,再加上章法的和谐境界,一幅书法正是合成了他文化修养的全备与深厚,醉心翰墨,心得畅神。
著名书画评论家 罗成
2018年12月24日
From
the point of view of using ink, Mr. Zhang Changping repaired the
malpractice of calligraphy that the contemporary calligraphy circles did
not pay attention to Mo Yun’s experience. No matter how others are, he
devoted himself to shaping the ink sense of his calligraphy, which also
showed unusual charm. In his calligraphy works, whether running script
or cursive script, the pursuit of ink is very obvious. Focal
concentration is the main cooperation of vigorous brushwork. Jiao Xian
Xiong Jin, black and pure, thick and calm, all in ink Jiao. If you are
not lean in ink, you will generally not have such an image of applying
great ink and showing great strength and boundless, and you will often
fail to use ink to become dull. The prime minister of thick ink is Liu
Yong, Jiao Mo Fangjia Zhang Changping. His calligraphy ink has both the
mobility of literati and the magnanimity of strong men to express their
feelings. The focus reflects the flying white, and the male and the
female are both relaxed! There is a way to seek new changes in
brushwork, and Mo Yun is free and unfettered. His calligraphy is not
only wonderful in pen and ink, but also colorful in composition. On the
premise of stable center of gravity, he has done very dynamic stretching
and shrinking, erected a pole to support the hanging temple, and every
word is heart-pounding, both in size and lying, opened freely, and
stretched appropriately. In addition to the harmonious state of
composition, a piece of calligraphy is a synthesis of his comprehensive
and profound cultural accomplishment, and he is addicted to calligraphy,
and his experience is smooth.
Famous painting and calligraphy critic Luo Cheng.
December 24, 2018.
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Zhang Changping’s works
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